[Re:]Entanglements is an exhibition to open at the Museum of Archaeology & Anthropology (MAA) in Cambridge later this year. It will be the fourth major exhibition of this project, previous ones having taken place in Benin City, Lagos and Nsukka, as well as many smaller ‘pop up’ exhibitions in towns and villages in Nigeria and Sierra Leone where the British colonial anthropologist Northcote Thomas, who’s archives are the subject of the project, worked. The above door graphic is taken from the Faces|Voices film, and articulates the curator’s hope that the exhibition will provide an opportunity to confront/interrogate/debate colonial collections and archives in our decolonial times.
Funded by the UK’s Arts & Humanities Research Council, the [Re:]Entanglements project has been re-engaging with a unique ethnographic archive – including objects, photographs, sound recordings, botanical specimens, published work and fieldnotes – assembled by the colonial anthropologist, Northcote W. Thomas, in Southern Nigeria and Sierra Leone between 1909 and 1915. As well as better understanding the historical context in which these materials were gathered, the project seeks to examine their significance in the present. What do these archives and collections mean for different communities today? What actions do they make possible? How might we creatively explore their latent possibilities? The answers to those questions can be found on the project’s website here. A beautiful and very relevant endeavour if you ask me.
The blog features interesting posts about an Igbo alusi statue collected by Thomas here, the restoration of an ikenga statue (here), and a most interesting article on sacred stone axes on Benin altars (here) – and there’s much more to discover on the blog! Below a short clip as an introduction to the wealth of the Thomas archives.